The Beck Brothers Band from Western Illinois has to be one of the longest-lasting musical acts in the state. Spanning multi-generations and lasting nearly eight decades, the group is still active today in the Macomb area.
Here we are going to focus strictly on the two singles the original brothers released in 1959 and 1960 on Mid West Records.
Melvin and Ralph Beck from Colchester, Illinois began playing music at a very young age. Along with their father Cecil and other relatives, the boys started out by performing on Sunday afternoons in their hometown.
By the late 1950s the brothers were performing at dance halls, supper clubs, county fairs and taverns across western Illinois and eastern Iowa. They even performed on local television The group would sometimes be billed in those days as the Beck Brothers Orchestra or Beck Bros Quartet.
Other than Ralph and Melvin, additional band members from this era have not been identified. Although, at least one advertisement from 1961 mentions the group being joined by "Swinging" Tommy Rogers on the sax. A few years later, according to ads, live shows featured Tom Powers on the saxophone.
Both of the group's early singles were part of the Starday Custom Series. There is no information as to where the recordings were made but it is likely that the brothers had them done locally and sent them off to Starday Records. In exchange for all the publishing rights and few hundred dollars, Starday would press a few hundred copies for the Beck Brothers to sell or give away as promotion.
While Starday's custom pressed records generally featured country and rockabilly music, the Beck Brothers' singles do not fit nicely into either category.
The label name, Mid West Records, was likely chosen by the Beck Brothers. Their hometown was misspelled as Colechester on the label of their first single.
"Screamin' Mamie" was written by Melvin Beck. The flipside, "I'll Love You For A Lifetime," was written by Ralph Beck. The single was pressed in 1959.
The second single, "Just Like You," was written by Melvin and released in 1960. The song was backed with an instrumental, "Big Rocker," credited to both brothers.
Melvin Beck passed away in 1996. His obituary mentions that he worked for Leo Fender and Fender Guitars in California around the time the company was founded.
Ralph Beck passed away in 2018. He had been a member of the Beck Brothers Band for 70 years.
If you have any more info, photos or memories of this early incarnation of the Beck Brothers Band please reach out to us at:downstatesounds@gmail.com
The Tempos from the Streator-Ottawa area in LaSalle County, Illinois. The group recorded their first single in 1962 at the Fredlo Recording Studios in Davenport, IA.
The A-side, “Twistin’ The Blues,” was a cover of Carl Perkins' 1956 song "Boppin' The Blues." The Tempos however changed some of the lyrics to include a reference to Chubby Checker and the dance craze he helped popularize.
The B-side, "Only One," was written by the group's leader, Ed Bundy. Other members of the group in 1961 included Rudy Alvarado, Fred Cisneros, Gus Anderson, Bob Norris.
THE TEMPOS - TWISTIN' THE BLUES / ONLY ONE (Fredlo # 6202)
By 1964, the Tempos consisted of Ed Bundy (guitar), Dick Ister (guitar), Frankie Little (sax) and Dave Dettore (drums).
Frankie Little (Raging Storms) would later join the Castaways, who were also from the area. Original member Bob Norris would join Angelo's Angels and was in several other area bands in the years that followed, including Chicago Sweeps, Kronic Flux and Freedom.
In 1968, the Tempos released another single. This time on the Bam label out of Chicago. One side featured Ed Bundy on vocals while the other featured Jack Moberg. According to the label, the record was presented by original band member Rudy Alvarado.
Ed Bundy later joined the Castaways and played on their 1971 single released on the Bonny label.
This website is dedicated primarily to music and musicians from Illinois outside of Chicagoland, however, earlier in the year we made an exception for a 60's group from Chicago, The Rooks. This is an addendum to that earlier post.
In 1967, The Rooks were searching for a new sound. The band's original singer and rhythm guitarist had left the group. Their single for Mercury Records the year before had failed to make much of an impact and they had been unceremoniously dropped from the label.
Still, the group continued to perform regularly around Chicago. In fact, they had one of their biggest performances that summer at the World Teenage Show held at Navy Pier.
In August of 1967, The Rooks went back into a Chicagoland recording studio. Perhaps as a rehearsal for their new singer or simply to produce a demo to help land gigs, the band recorded three cover tunes in a single session. The music was never released and the tape all but forgotten.
By 1968, the band began to move away from the protopunk garage sounds of the early single. Tom Engel and John Brian Szmagalski, the two newest members, would become the group's chief songwriters and lead them into a heavier, more psychedelic sound.
The lost session from 1967 remains the bridge between the Mercury single and the later singles on Jo-Way and Twinight. Here we present all three demo recordings in their entirety for the very first time:
The Tale Of The Tape
The reel of 1/4" tape containing these three songs was preserved through the decades by Jerry Young, the group's manager at the time. Between 1966 and 1968, Young and his talent agency, Crestmark Productions, managed The Rooks along with several other Chicago-area bands.
In 1967, Young was also a staff member at the newly-launched Psyche Pscene, a Chicago-based music magazine aimed at the area's "young set."
Later that same year, Young opened a teen night club in the Northwest suburbs called The Spectrum. The club, formerly known as The Batcave, was located at 6684 N. Oliphant in Edison Park.
Several of the bands on the bill during the opening few weeks were managed by Young, including The Rooks. The club was short-lived however, largely due to the poor reputation of its predecessor.
Jerry Young shown here shaking hands with Tommy James
Before the end of '67, The Rooks decided to change management. Young eventually left Chicago a few years later and with it, his life in the music world.
Gone but not totally forgotten... most of the photos and audio related to The Rooks and the 60's Chicago scene found on this website come directly from Young's personal archive.
The Jones Band formed around 1970 in Streator, Illinois. It wouldn't be until 1976 however that the group would self-release their only single containing two original tunes: "20 Years (All Alone)" and "What We Always Wanted."These songs are some of the earliest known recordings of the group's lead singer Kevin Chalfant and the only officially released tracks from a popular north-central Illinois band that was together for more than a decade.
In addition to Chalfant, other members of the group included Kurt Benckendorf (guitar), Stan Rapp (keyboards), John Chorak (drums) and Randy Wargo (bass). Sometime in 1975 or 1976, Jerry Gingery of Ottawa, Illinois replaced Wargo. With the addition of Gingery, the group's lineup would remain the same until 1982.
The single was recorded at Universal Recording Corp. in Chicago sometime in early 1975. According to an article in the Streator Daily Times-Press from January 2, 1975, the band had a session scheduled in Chicago for that day and the next with the hope of recording four songs.
Both songs that ended up on the 45 were eventually mixed at Golden Voice Recording Co. in South Pekin, Illinois and engineered by Terry Jamison.
The single was released in late 1976 but not on any label; instead it was self-released and self-distributed. As a result, it is unclear how many copies were pressed at the time or if it was available anywhere outside of central Illinois.
One thing is for certain, the record was widely available from various grocery stores and cheese shops in Streator in January 1977:
By this point Jones Band already had a strong local following around the Streator area and were regulars at the Red Lion in Bloomington in 1976. They were also playing around the state and throughout the Midwest.
While performing in Ohio in the summer of 1977, the group was joined on stage by Ruby Starr, best known for her singing on Black Oak Arkansas' "Jim Dandy."
By September 1977, Starr had joined the group for a series of dates across the United States and Canada. Together they opened for Rick Derringer, Head East, Brownsville Station, Cheap Trick, Foreigner and Black Oak Arkansas.
By November of 1977 the group began working on an album. According to the Streator Daily Times-Press, the group had recorded four songs in Peoria which were written by guitarist Kurt Benckendorf. The songs were being produced and mixed by George Tutko, a Streator native, back in California where Tutko was working as a recording engineer.
The four song titles mentioned: "All In The Show," "Piece of the Rock," "Sweet Heather," and "Scotland Yard."
A number of other songs written by Chalfant and Benckendorf were copyrighted around the same time as well: "Revelations," "Randy, My Friend," "On and On," "Reelin' Feelin'," "Eyes of Affection," "Sweet Earth Mother," "For One Night," and "Life Is A Natural."
Several more songs by the band were copyrighted in 1978: "Blow Down," "When Will You Ever Learn?" and "Not Easy." The album however never materialized.
By 1979 the group had parted ways with Ruby Starr and changed their name to Fortran.
The group, despite the changes, were still hoping to make an album. An article from 1980 states, "As the Jones Band, the group has done several demonstration records, but as Fortran they'd like to do an album for good record company."
In 1981 the group even announced plans to sign a recording contract with a major label soon and said they had been working with George Tutko to refine their sound.
It was not to be however. In 1982, Chalfant left the group and joined the Los Angeles-based band 707, a group that Tutko was producing at the time.
Fortran continued on with a new singer, Mike Husler, who had previously been with the Slink Rand Group. Husler however was replaced by Bob Barr of Marseilles, Illinois in 1985. Fortran stayed together for just a couple more years, changing singers a few more times along the way.
As for Kevin Chalfant, he has performed and recorded with a number of groups over the last several decades, most notably The Storm which produced several hit singles and included former members of Journey.
Of the Jones Band / Fortran years, despite more than a dozen original songs being written and likely recorded, no album was ever released. The only document of the band we are left with is this early single:
Bearded Clam from Springfield, Illinois released just one single on Golden Voice in 1970. The group had been playing together for a couple years and were previously known as Dean and the Sinisters.
Band members included lead singer and drummer Dean Huston, his younger brother Dave Huston on bass, Wayne Castor on lead guitar, Rich Egizii on organ, Corwin Bentley on rhythm guitar and Gene Bennett on vocals.
At the time of the recording several of the band members were students at Lincoln Land Community College in Springfield. Most of the group was from Springfield originally, except Egizii who was from neighboring Riverton and Bennett from nearby New Berlin.
The single was recorded at Golden Voice Recording Company in South Pekin, Illinois. Both songs were original compositions. According to an article in the Illinois State Journal, there were one thousand copies pressed.
"Please Don't Leave Me Blue" was written by Bennett who also sang lead on the track. Huston and Caster are also credited on the single.
The flip side "I Wish I Could Be Here" was written by Bob Lloyd with lead vocals by Dean Huston. Lloyd was a member of The Holidays, another Springfield group.
The group was still performing around the Springfield area as of March of 1972:
In early 1961, 26-year-old singer Frank Hilligoss aka Frankie Gem of Galesburg, Illinois released his first single, "Return To Me," on the USA label. The record is perhaps most notable however for the instrumental on the flip side, "Crystal Rock," performed by Gem's backing band at the time - The Crystals.
The Crystals formed around 1960 and performed in Galesburg on their own as well as Gem's backing band.
The group's band leader was guitarist Ted Ramirez (pictured second from left), who was also from Galesburg.
Ramirez is credited with writing "Crystal Rock." (His last name spelled Rameriz on the USA record).
Other members of the group included Jim Sward on drums, Jim Ponce on bass, Joe Padilla on guitar and Ed Padilla on sax, piano and bongos. Gem is shown on the far right.
Dick Hendrickson (not in photo) was an earlier drummer for the group and may have played on the record.
The USA single appears to have been recorded at Fredlo Recording Studios in Davenport, IA. There is no catalog number so it is difficult to determine the recording date. Unlike the USA 45, the acetate is credited to The Crystals.
Special thanks to Marty Hancock for the information and scans!
A few months after the single on USA, Frankie Gem recorded and released another single, this time on Ardore Records out of Chicago. According to an article in the Galesburg Register-Mail, Gem recorded the single "in cooperation with a Chicago orchestra."
The single included "Without A Girl," a tune written by Gem and Larry Hilligoss, along with a cover of "My Love."
The Crystals, it appears, were no longer playing or recording with Gem. They did continue to perform on their own around Galesburg until late 1962.
As for Frankie Gem, he continued to sing and perform around Galesburg for the next several decades, recording at least two more singles along the way.
For many years Gem was backed by another Galesburg group called The Avenue Chasers aka The Chasers. The main members of the group included Don Bitts on bass, Frank Mangieri on accordion and Bill Ballard on drums. Other area musicians appear to have sat in or joined them at different times, including Ted Ramirez on at least one occasion.
In 1967, Frank Gem & The Chasers recorded a cover of Leiber & Stoller's "Loving You" at the Fredlo Recording Studios in Davenport, IA. The single was released on Le Mann Records. The b-side, credited only to The Chasers, was a version of the instrumental "A Taste of Honey."
In 1968, details of a collaboration between Gem and a Chicago songwriter were mentioned in Billboard magazine:
Barbara Ruth reports that her Italian-flavored tune "Sofia Mia" is to be recorded by a Galesburg, Ill. (her home town), group called Frank Gem and the Chasers on either Hickory or Dot.
It is unclear whether that recording was ever produced. In 1971 however, Gem recorded a single for Nashville-based Action Records. This included two songs written by Gem and Larry Hilligoss, "Foolish Love" and "Come In Blysville."
By the mid-1970's, Gem was performing the lounge and supper clubs of Galesburg as the Frankie Gem Trio. By the 1980's he dropped Gem and was often billed under his given name.
Frank Hilligoss passed away in 2020. According to his obituary, "he never gave up on his music and continued singing his entire life, bringing joy to all those who listened."
In the early 1970's, concert promoters Bill Love of Love, Inc and Jay Goldberg, then owner of Budget Tapes & Records in Peoria, organized a series of rock concerts at the Barn (9201 N. Galena Rd., Route 29) just north of Peoria, Illinois. These shows featured some of the top touring rock bands of the era along with various local groups. Nearly two dozen shows have been identified over a one year period but there were likely several more.
We need your help documenting this short-lived but important venue in central Illinois' rock history! If you attended a show at the Barn in '71-'72 and can add to the list of shows or just have a story to tell we'd love to hear it. Also, if you have any photos, posters, flyers or recordings of any kind we'd love to see and hear them. Please reach out to us at:downstatesounds@gmail.com
THE CONCERTS
May 22, 1971 Canned Heat
Jun 4, 1971Bloodrock
Jun 19, 1971Spirit
Jul 9, 1971The Byrds, Sunday, Godzilla
Jul 16, 1971Edgar Winter's White Trash, Morning Morning, All Star Frogs
Jul 23, 1971Alice Cooper, Brownsville Station
Aug 14, 1971Crow, Fanny, Podipto
Aug 21, 1971Teagarden & Van Winkle (Bob Seger), Brownsville Station
Aug 27, 1971Sugarloaf, Remedy, Morning Morning
Sep 4, 1971Black Oak Arkansas, The Mackinaw Valley Boys
Sep 11, 1971Mason Profitt, Wilderness Road
Sep 22, 1971Alice Cooper, Mike Quatro Jam Band
Nov 9, 1971Ted Nugent and The Amboy Dukes, Savage Grace
Dec 31, 1971Edgar Winter's White Trash
Jan 23, 1972Uriah Heep
Feb 20, 1972Allman Brothers, REO Speedwagon
Feb 25, 1972James Gang, Point Blank
Mar 10, 1972King Crimson, Black Oak Arkansas, Sweathog
Mar 17, 1972Ajax Maggot, Mannish Boy
Mar 24, 1972Mike Quatro Jam Band, Finchley Boys
Mar 31, 1972Saylor, Smack Water Rye
Apr 8, 1972Cactus, Bloodrock, Pot Liquor
Apr 20, 1972Ten Years After (CANCELLED?)
May 7, 1972Quicksilver Messenger Service
May 13, 1972Fleetwood Mac, McKendree Spring, Ashton Gardner & Dyke
RECORDINGS
An incomplete live recording of the King Crimson set from March 10, 1972 has been released by the band in several different formats over the years. One track from the set, "Peoria" aka "Groon Peoria," was included on the band's 1972 live album Earthbound.
In 2011, King Crimson officially released more of their set digitally (seven tracks total though several are incomplete) and again in 2017 on CD & Blu-Ray audio as part of their Sailors' Tails box set.
A bootleg recording of the Alice Cooper show from July 23, 1971 can be found on YouTube.
FLYERS & POSTERS
Special thanks to Bill Risoli for sharing these images.
REVIEWS & ADS (click image to enlarge)
HISTORY OF THE BARN
Located seven miles north of Peoria, the Barn was build in 1937 and was originally known as Riverview Stables. At the time it was one of the best showplaces for horses in central Illinois and was once home to the Peoria Riding Club. In 1949 it was bought by Max Baty who renamed it Baty's Barn. In addition to horse shows, the venue hosted farm auctions, hog and cattle sales as well as tractor, boat and RV shows.
By September of 1954, Baty had replaced the arena floor with concrete and started to hold dances and benefit concerts. Here are some of the shows we were able to identify from 1954-1967:
Sep 10, 1954Leo Lukehart & His Band w/ Barbara Waldron
Sep 11, 1954Bill Reardon & His Rambling Playboy Entertainers
Sep 17, 1954Joe Evanick & His Orchestra w/ Sharon Evans
Sep 26, 1954Leo Lukeheart & His Band
Nov 12, 1954The Rhythm Rascals w/ Dusty Rhoads
Nov 20, 1954Fats Brown & His Rhythm Ramblers
Nov 27, 1954The Rhythm Rascals w/ Dusty Rhoads
Dec 18, 1954Fats Brown & His Rhythm Ramblers
Jan 22, 1955Fats Brown & His Rhythm Ramblers
Jan 30, 1955Shep Fields and His Rippling Rhythm
Feb 5, 1955Fats Brown & His Rhythm Ramblers
Feb 12, 1955Fats Brown & His Rhythm Ramblers
Feb 15, 1955Buddy Moreno & His Orchestra
Feb 16, 1955Leo Peeper & His Orchestra w/ Judy Martin, Penny Kunard and Jackie Jay
Feb 22, 1955Eddy Howard & His Orchestra
Mar 12, 1955Fats Brown & His Rhythm Ramblers
Mar 19, 1955Ted Lewis, His Orchestra & Revue
Mar 26, 1955Rudy James & His Orchestra
Apr 8, 1955Jimmy Palmer & His Orchestra w/ Julio Maro
Apr 17, 1955WPEO Barn Party: Oklahoma Wrangers, Tommy Sosebee, Buddy Wright and Viola Trussley
Apr 23, 1955Art Mooney & His Band
Apr 24, 1955WPEO Barn Party: Oklahoma Wrangers, Tommy Sosebee, Buddy Wright and Viola Trussley
Apr 30, 1955Jerry Mercer with David Carroll & His Orchestra
May 13, 1955Sammy Kaye & His Orchestra
May 14, 1955WPEO Barn Party: Oklahoma Wrangers, Tommy Sosebee, Buddy Wright
May 21, 1955Freddie Stevens' Orchestra
May 28, 1955Eddy Howard & His Orchestra
Jun 3, 1955Oklahoma Wranglers, Kay Clark, Tommy Sosebee
Jun 4, 1955Johnnie Kaye & His Orchestra
Jul 9, 1955Pee Wee Hunt & His Band
Jul 23, 1955Webb Pierce w/ His Wondering Boys, Red Sovine, Peach Seed Jones
Sep 30, 1955Night Beat Record Hop w/ DJ Johnnie Coy
Oct 1, 1955Ralph Marterie & His Downbeat Orchestra
Oct 8, 1955Buddy Moreno & His Orchestra
Oct 23, 1955Blue Barron & Orchestra
Nov 4, 1955Wayne King & Orchestra
Nov 12, 1955Jimmy Palmer & His Orchestra
Nov 26, 1955Freddy Barnes & His Orchestra
Dec 10, 1955Eddy Howard & His Orchestra
Dec 18, 1955Les Elgart & Orchestra w/ Don Forbes
Dec 31, 1955Freddy Barnes & His Orchestra
Jan 21, 1956The Crew Cuts, Bill Hardesty Orchestra
Feb 4, 1956Bill Hardesty & His Orchestra
Mar 3, 1956Jimmy Palmer & His Orchestra
Mar 24, 1956The Hilltoppers w/ Jimmy Sacca, Bill Hardesty Orchestra
Apr 21, 1956Freddie Barnes & His Orchestra
Apr 28, 1956Ted Weems & His Orchestra
May 19, 1956Bill Viehmeyer & His Orchestra
Jun 9, 1956Bill Hardesty & His Orchestra
Jun 23, 1956Eddy Howard & His Orchestra
Jun 30, 1956Buddy Moreno & His Orchestra
Jul 28, 1956Ted Weems & His Orchestra, Phyllis Powell
Sep 2, 1956Ray Anthony & His Orchestra (CANCELLED)
Sep 8, 1956Ray Pearl & His Musical Gems
Sep 22, 1956The Four Aces
Sep 29, 1956Dick Jurgen's Orchestra (CANCELLED)
Oct 6, 1956Chuck Foster & His Orchestra
Oct 20, 1956Bill Wimberly & His Country Rhythm Boys
Oct 21, 1956Dixieland Jam Session
Oct 29, 1956Chuck Willis & Roy Gaines
Dec 31, 1956The Crew Cuts, Tommy Allen & His Orchestra
Jan 18, 1957WIRL Night Beat w/ DJ Johnny Coy, Freddie Stevens Orchestra
Jan 19, 1957Fred Dale & His Orchestra
Feb 1, 1957WIRL Night Beat w/ DJ Johnny Coy, Cary Robards Jr. & His Orchestra
Feb 2, 1957Chuck Foster & His Orchestra
Feb 23, 1957Bill Hardesty & His Orchestra
Mar 17, 1957The Hilltoppers, Jimmy Featherstone & His Orchestra
May 21, 1957WSM Grand Ole Opry: Marty Robbins, Louvin Brothers, Lee Emerson, Smiley & Kitty with Rita Faye, George McCormick and the Teardrops
May 25, 1957Freddie Stevens' Orchestra
Aug 20, 1957Hank Thompson & His Brazos Valley Boys, Wanda Jackson, Joe Carson, Buddy Wright
Oct 19, 1957Fats Brown & His Rhythm Ramblers
Nov 9, 1957Eddy Howard & His Orchestra
Dec 31, 1957Bill Viehmeyer & His Orchestra
Apr 11, 1958Spring Swing Teen Dance: DJ Wayne West, Joe Kilton & Band, The Rockin' R's
Apr 26, 1958Chuck Foster & His Orchestra
May 24, 1958Freddie Stevens' Orchestra
Jun 8, 1958Hank Locklin, Jimmy Louis, Buddy Wright, Carl Trantham
Sep 27, 1958The Rockin' R's, Clover Club Trio
Oct 5, 1958Don Reid
Dec 31, 1958Bill Hardesty & His Orchestra
May 16, 1959Freddie Stevens' Orchestra
Dec 31, 1959Bill Hardesty & His Orchestra
Apr 2, 1960Bill Carver's Orchestra
May 14, 1960Walt Coughlin's Band
May 20, 1960WSM Grand Ole Opry: Kitty Wells, Marvin Rainwater, Bobby Helms, Johhny & Jack, Bill Phillips, Tennessee Mountain Boys, Webb Pierce
May 21, 1960Freddie Stevens' Orchestra
May 28, 1960Zeke Sanders & His Orchestra
Aug 28, 1960Bill Carver's Orchestra
Nov 12, 1960Ralph Marterie & His Orchestra
Dec 31, 1960Paul Wireman & His Orchestra, w/ Carol Jackson
May 6, 1961Freddie Stevens' Orchestra
Sep 9, 1961Freddie Stevens' Orchestra
Dec 31, 1961Paul Wireman & His Orchestra
Feb 3, 1962Freddie Stevens' Orchestra
May 26, 1962Biddie Biddison's Orchestra
Jun 2, 1962Freddie Stevens' Orchestra
Jun 16, 1962Biddie Biddison's Orchestra
Sep 15, 1962Ray Price & Band
Sep 22, 1962Biddie Biddison's Orchestra
Sep 29, 1962Biddie Biddison's Orchestra
Oct 13, 1962Biddie Biddison's Orchestra
Nov 10, 1962Biddie Biddison's Orchestra
Nov 24, 1962Biddie Biddison's Orchestra
Dec 8, 1962Biddie Biddison's Orchestra
Dec 23, 1962Booker T. & The MGs (CANCELLED)
Dec 31, 1962Biddie Biddison's Orchestra
Nov 15, 1963Ralph Flanagan & His Orchestra
Jun 13, 1964Freddie Stevens' Orchestra
Jan 23, 1965Jackie Wilson & His Upsetters
Aug 28, 1965Seven Sounds, Lee Brown, Miss Joanne Baker & The Harvey Scales Revue
Sep 8, 1967Tiny Hill & His Orchestra
Sep 23,1967Bud Sherman & His Orchestra
Sep 29, 1967Bill Hardesty & His Orchestra
Oct 7, 1967Gary Newton Orchestra
Exact dates for other shows from the 1960's such as James Brown, Sam Cooke, and Ike & Tina Turner have not yet been identified.
In 1962, Max Baty passed away and the Barn was sold to E.T. Biddison who renamed it the Riverview Ballroom. The number of musical events at the venue declined greatly in the years that followed. One notable dance in particular, sponsored by the Challengers Club of Peoria, had disastrous results.
When Booker T. & The MGs failed to show up for their performance on December 22, 1962 a riot ensued. A crowd of 400 angry customers began breaking windows and plumbing fixtures. The police responded in force with shotguns and tear gas resulting in at least one patron being treated for a head injury.
In 1967 the Barn was sold again and renamed Donovan's Ballroom. Other than a few dances that year music did not return to the Barn until the rock shows of 1971 and 1972.
After 1972, music at the location seems to have stopped for good. Around 1990, the Barn returned to its original purpose, a place for horse shows and auctions. It is currently the Heart of Illinois Arena.
The Rooks formed in the western suburbs of Chicago sometime in late 1964 or early 1965. The original lineup consisted of:
Tony Pietrini - vocals, harmonica Jeff Pranno - lead guitar Steve McGreer - rhythm guitar Billy Haack - bass Loren Charles (Pranno)* aka Loren Raphael - drums
Like so many other bands of the era, the group got their start by playing suburban teen clubs and dances with their biggest influences being the British R&B / rock groups of the day (The Rolling Stones, The Kinks, The Who, The Yardbirds, The Pretty Things and Them).
In early 1966 another Chicago-area band with similar influences, The Shadows of Knight, had turned a cover of Them's "Gloria" into a regional smash hit for Dunwich Records. By the summer of 1966, The Rooks had landed a recording contract of their own with Chicago-based Mercury Records.
The band recorded two songs for Mercury in 1966: "A Girl Like You" written by Pranno and Raphael as well as a cover of The Rolling Stones' "Empty Heart." White label promotional copies of their 45 were produced later that year.
Mercury # 72644, YW1-38898 / YW1-38899
Pietrini & Haack in studio
The group's drummer Loren Charles remembers the early recording session(s) being done at Sound Studios in the Carbide & Carbon Building in downtown Chicago (230 N. Michigan Ave). Incredibly, a photo of two of the band members in the studio ran in the Sunday magazine of the Chicago Sun-Times on July 24, 1966 as part of an article about the "Chicago Sound."
One of the group's biggest live performances came a week later when they opened for Herman's Hermits and The Animals at Chicago's International Amphitheatre on July 31, 1966. Earlier in the month the group was one of several bands to open for The Dave Clark Five in Madison, Wisconsin.
Things seemed to be on the way up for the group. They even had an official fan club (c/o Miss Carol Kedzior). A photo of the band (below) ambitiously refers to them as "Mercury Recording Stars."
Unfortunately Mercury failed to promote the group. The result was the record received little to no radio airplay at the time. It likely didn't help that the English group The Troggs had released a similarly-titled track ("With A Girl Like You") that same summer.
Whatever the reason, Mercury decided against officially releasing the single and instead dropped them from the label. For several decades afterward the few surviving promo copies of the 45 would serve as the only document of The Rooks' original lineup. That is until Sundazed Music gave it a proper release in 2006 (more below).
Sometime after the Mercury recordings, guitarist Steve McGreer decided to leave the group. He was replaced by John Brian Szmagalski who had been playing in another Chicago-area band called The House Of Blue Light.
New lineup: Haack, Pranno, Szmagalski, Raphael, Pietrini
Despite the Mercury debacle, the group continued to perform around Chicago and its suburbs. For the Sundazed reissue, guitarist Jeff Pranno recalled, "we used to play the Hut, the Wild Goose, the Cellar, Surf's Up, Gospel Zone (!!!)... there were so many."
Another big performance for the group was at the World Teenage Show held at Navy Pier in June- July 1967. Headlining the ten day event was Neil Diamond, The Crying Shames, The Electric Prunes and The Yellow Balloon. The Rooks were scheduled to play two days (June 24th & 25th) which included opening for Dino, Desi & Billy.
Sometime in 1967 lead singer and harmonica player Tony Pietrini decided to leave the group as well.
The group found a replacement in Tom Engel, a friend of bassist Bill Haack. Prior to joining the group, Engel had been singing in another Chicago-area group called The Henchmen.
A rehearsal / demo tape from August 9, 1967 captures Engel and the Rooks working on a few covers together: The Left Banke's "She May Call You Up Tonight", Them's rendition of "Turn On Your Lovelight" and The Who's "Substitute." (More details including audio)
In September of 1967 the group's manager, Jerry Young, opened a short-lived teen club in the Edison Park neighborhood called the Spectrum (formerly the Batcave, 6684 N. Oliphant Ave). The Rooks were one of the first bands on the bill.
Photo of the band taken at The Spectrum: Haack, Pranno, Engel, Raphael, Szmagalski
Not long after their performance at the Spectrum however, the band decided to change management. The Chicago Tribune reported on October 6th that Michael de Gaetano, manager of the group The Faded Blue, had taken on two more Chicago-area bands, The Sons Of Adam and The Rooks.
With a new singer, the band's sound had evolved since the Mercury days and new management likely wanted to get them back into a recording studio. Before the end of 1967 the group had signed with the Jo-Way Recording Company and recorded two new original songs written by Engel and Szmagalski (listed as John Brian): "Turquoise" and "Ice And Fire." Two versions of the single exist though it is not clear if they are the same recordings or not.
Jo-Way Demo Record, S-5236 / S-5237
Jo-Way #5000, TM 2771 / TM 2772
The gold "demo record" version was produced near the end of 1967 whereas the blue label version came out in the spring of 1968. Loren Charles remembers the band playing on Rush Street a lot during this period including week-long runs at Mother's.
Twinight #115, TM 3204 / TM 3205
In early 1969 the band recorded two more songs for Jo-Way: "Hoping To Be Gone Soon" and "Free Sunday Paper." Again, both songs were written by Tom Engel and John B. Szmagalski.
Curiously, this single was released on Twinight Records which was primarily a Chicago soul label. DJ copies exist but it not clear if there was ever an official version.
Around the time of this final single, the band went through more lineup changes. Drummer Loren Raphael (i.e. Charles) decided to quit the group. Bassist Bill Haack left as well. Two new members soon joined, Russ Neiman (drums) and Willie Forst (bass). Both had been in The House of Blue Light with Szmagalski. This however seemed to mark the beginning of the end for the group. Neither the Jo-Way or Twinight single made much of an impression and the band appears to have called it quits by 1970.
It would not be until 1985 that The Rooks would be recognized again when both sides of the Mercury single were included on Pebbles Vol. 17, a compilation of garage-punk rarities from the psychedelic 60's.
Over the next two decades the legend of this mysterious band with an obscure 45 on a major label continued to grow, culminating with the 2006 reissue by Sundazed Music which was remastered from the original tapes. In their press material, Sundazed refers to the original 45 as one of the RAREST of all '66 garage singles.
While perhaps not as desirable as the Mercury single, both the Jo-Way and Twinight singles have proven to be equally rare.
Three of the four songs however were included on a 1997 CD compilation, The Quill Records Story (The Best of Chicago Garage Bands), despite the fact that none of The Rooks records were released on Quill. Curiously, "Hoping To Be Gone Soon" was excluded and has gone mostly unheard for more than 50 years... until now (see video below).
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In 2018, Loren Charles was kind enough to provide me with a detailed account of his time in The Rooks. It is filled with memories and stories about the Chicago music scene in the 1960s and beyond. For anyone interested, you can read his full story here: The Story of the Rooks.
* Loren Charles no longer uses his given surname of Pranno. While in The Rooks he often used the stage name Loren Raphael. In the Sundazed reissue he was erroneously listed as "Charles Pranno," a name he has never used. Loren Charles and guitarist Jeff Pranno are cousins.
THE MUSIC (All the audio comes directly from the original 45s.)
Author's note: While this blog is typically reserved for bands and records from downstate Illinois, I've included this detailed post on The Rooks because of a personal connection and deep appreciation for their music and story.
