Showing posts with label Decatur. Show all posts
Showing posts with label Decatur. Show all posts

Saturday, July 20, 2024

The Meat Department (Decatur)

In April of 1967, a teenage combo from Decatur, Illinois known locally as the Mystics pooled their money for one hour of studio time at Universal Studios in Chicago.   Members of the group included Skip Huston, Nate King, John "Polar Bear" Sauter, Don Jackson and Steve Whitaker.   

John Sauter's father drove the boys and their equipment the three plus hours to Chicago where they were able to record two songs, enough for a single.  To avoid any confusion with a Chicago group (and countless others) using the same moniker, the Decaturites changed the name of their band to the Meat Department for the release.  The band joked, at least they would get free publicity on supermarket PA's.
Meat Dept., "This Weeks Children" / "Janet" Polar Bear, 41967

The single was released on the band's own Polar Bear Records.  It included an original song written by King and Huston, "Janet," along with a cover of the Electras' "This Week's Children" (written by Warren Kendrick).  The Electras also re-released the song under a different band name, 'Twas Brillig, just a few months before the Meat Dept. single.

The Mystics / Meat Department performed mainly around the Decatur area.   The group doesn't seem to have lasted more than a year.  

John Sauter eventually went on to play bass with Mitch Ryder, Ted Nugent and John Lee Hooker.

In 1995 a few members of the original Meat Department got back together and performed in Decatur for a series of shows known as Flashback.  The reunion concerts, which were organized by Huston, featured a number of 1960's groups from the area such as the Fugitives, the Dutchmen, the Castels and the Reel Blues.

In 1996, Nate King (vocals), Skip Huston (guitar) and John Sauter (bass) re-formed the Meat Department with new members Ed Hemrich (guitar), Randy Luckenbill (drums) and Terry Willis (vocals).

Thirty years after their first single, the Meat Department released their first album on CD called USDA Prime.  All eleven songs on the album were written by Huston.  

You can listen to the group's 1967 cover of "This Week's Children" below.  If anyone knows where I can find a copy of the single or their CD, please contact me at downstatesounds@gmail.com.

Thursday, October 27, 2022

The Galaxies (Decatur / Mt. Zion)

Things were looking up for the Galaxies in the spring of 1961.  The popular Decatur-area combo, comprised of two college students, a couple of high school kids and a gas station attendant, had just recorded a pair of instrumentals for a major record label.

A cover of "My Blue Heaven" along with the original composition  "Tremble" were released on Dot Records (45-16212) in early May of '61.  The single was also released in Germany on the London label (DL 20 431).  Billboard reviewed both songs giving "Tremble" its top rating of four stars.

The Galaxies had formed just a few years earlier in Mt. Zion, Illinois.   The original lineup included Kenny Monska on guitar, Gary Warnick on piano, Danny Goveia on drums, Mike Lee on saxophone and Dick Underwood on bass.

At some point Jack Anderson, a music education major at Millikin University, replaced Mike Lee on saxophone.  The leader of the group, Gary Warnick, was also a music education major at Millikin University at the time.  Both Warnick and Anderson had been members of the Millikin Civic Symphony.

As for the Galaxies, they had become a popular group around the Decatur area performing the top hits of the day at many local bars and clubs as well as teen dances and other events.  Interviewed for the Decatur Daily Review, Jack Anderson said, "We'll play anything but westerns."

The single was recorded in Nashville where Dot was based.  "Tremble" had originally been titled "Rockin' Raindrops" but was changed by the label to avoid confusion with another similarly named song.  All five members shared in the songwriting credit. 

Concerning the recording session, Anderson said, "we don't rely as much on electronic gimmicks but we do get a different sound in the studio."   He added that the studio was "really fabulous."

The group was hoping the Dot release would help launch them into a long successful career in the music business but the single would prove to be the group's entire recorded output.  They continued to perform around Central Illinois for the next couple of years before calling it quits.

In 2012, Gary Warnick self-published a memoir called Gigs: True Stories About Playing Music For Sixty Years.
 

Thursday, November 11, 2021

Steve Hunter - 1977 Interview (WSOY Decatur)

Legendary guitarist Steve Hunter was born and raised in Decatur, Illinois.  

By early 1977 Hunter was getting ready to release his first solo album, Swept Away, which he dedicated to his hometown.  At this point in his career, Hunter had already toured and recorded albums with Lou Reed, Alice Cooper, Peter Gabriel and Mitch Ryder.  As a session man, he had played on records by Aerosmith, Jack Bruce and others.

In this phone interview with Decatur radio station WSOY, Hunter talks extensively about growing up in Decatur.  He mentions some of his early influences, his beginnings on Hawaiian guitar as well as his early exposure to the blues.  He explains where the titles "Jasper St. Viaduct Gitar Rag" and "Eldorado Street" came from (both reference locations in Decatur).   He also briefly mentions fellow Decatur musician John "Polar Bear" Sauter who played with Mitch Ryder's Detroit and helped Hunter secure a spot in the group which ultimately launched his career.


Here are some highlights from Steve's early career as a session guitarist as well a few cuts from his first album.
For more info see: Steve Hunter

Tuesday, October 6, 2020

Dave Scherer & The Castels, Charles J. Givens and "Sloopy" (Decatur)

Who was Sloopy from "Hang on Sloopy" and what does it have to do with an obscure single released in Decatur, Illinois in 1965?  Below we will try to answer at least one of these questions by untangling decades worth of misinformation.

In early 1965, Dave Scherer and the Castels from Decatur, Illinois released their second single, "Everybody's Doin' It (The Penguin)" b/w "Sloopy Can Penguin" on Loki Records.

Members of the group were:  Dave Scherer (vocals & bass), George Hickman (guitar), Jack Trowbridge (sax), Jim Seitz (sax), Chuck Jordan (drums)  and Dee Brownson (organ).

The single was recorded and produced in Nashville by another Decatur native, Chuck Givens, who ran a studio in Music City.  Despite not being a member of the group, Givens took a writing credit on both songs of the single.  Listen to the b-side "Sloopy Can Penguin" below:

Shorty after the single's release, the Decatur Daily Review ran several articles suggesting that the single was a hit and had already sold over 200,000 copies. 
Decatur Daily Review  Feb. 14, 1965
Mar. 22, 1965
In July of 1965, Scherer and the Castels recorded and released their third and final single, "My Dog Spookie" / "Tell Me Who She Is."   Again, both songs were recorded with Givens in Nashville and again the Decatur Daily Review ran an article suggesting the song was on its way to being a big hit along with other bold claims regarding the records promotion and national distribution. These claims along with those printed about the earlier release seem to be based in pure fantasy.

That same month, the McCoys released their first single "Hang On Sloopy."  The McCoys were originally known as Rick and the Raiders from neighboring Indiana.   Rick Zehringer (who would soon change his last name to Derringer) and his band were invited to record in New York by another group, the Strangeloves, who they had opened for and played with in Ohio.   The Strangeloves it turned out were a group of New York songwriters and producers looking for a group that looked like the Beatles.  They were especially eager to release their re-working of an R&B tune called "My Girl Sloopy" for a white audience with such a group.  
As a result Derringer's lead vocals were added to the Strangeloves' already recorded backing tracks and it was released under the new band name, The McCoys. "Hang On Sloopy," as it was now called, was a number one hit by October of 1965.  

Six months after it went number one, the Decatur Daily Review ran another outrageous article suggesting that "Hang On Sloopy" was based on Scherer's "Sloopy Can Penguin."  The article even claimed that Scherer and the group would be receiving a royalty of a penny per copy on the McCoys' hit single.

Mar. 2, 1966
While it is true that “Sloopy Can Penguin” predates “Hang On Sloopy” by roughly six months, both are obviously based on “My Girl Sloopy” which was written by the New York songwriting duo of Bert Berns and Wes Farrell.  It was recorded and released in early 1964 by the R&B vocal group the Vibrations on Atlantic Records  - a full year before Scherer and the Castels.

The Vibrations even released another song in 1964 called "Sloop Dance" on Okeh Records which bears some resemblance to their earlier "My Girl Sloopy."  It too predates the Scherer single by months.

Much of the misinformation regarding the authorship of "Sloopy" and any connection it might have to Decatur and Scherer's single seems to lead back to one man and it would only get worse as the years went on. 

Charles J. Givens was born in Decatur, Illinois in 1941.   As a teenager he played in a local band known as the Quintones.  By the mid-1960's, Givens had moved to Nashville where he ran a recording studio, booking agency and record label.  During this time he recorded and produced a handful of records including the two singles by Dave Scherer and the Castels as well as other Decatur groups such as the Chosen Few and Eugene and the Fugitives:
 
According to Givens, the recording studio burned down in 1966 which was uninsured and left him broke.  As a result, Givens left the music business and sought his fortune elsewhere. 

Over the course of the next decade, Givens would reportedly make and lose millions of dollars at various business ventures.   By the 1980's however, Givens had become a multi-millionaire by giving motivational lectures and selling personal financial advice.  By the end of the 1980's, Givens had become a get-rich guru and a best-selling author.   He hosted a weekly radio program and was a regular on syndicated daytime talk shows and late night infomercials. 

It was also during this time that Givens began publicly claiming that he had written "Hang On Sloopy."  Sometimes he claimed to have sold the song for next to nothing or even had given it away and other times he claimed to have gotten rich off the royalties.  He would continue to tell a version of this fabrication in interviews throughout the 1980's which were printed in newspapers all over the country.  In a few articles he was even photographed on his sailboat named "Sloopy" of course.



At some point in the late 1980's, Givens' claim was challenged by a lawyer representing Wes Ferrell, one-half of the writing team behind "My Girl Sloopy."  From a Los Angeles Times article dated May 14, 1989:
Confronted with all this by Farrell's lawyer, Givens now claims he  wrote a song called "Sloopy Can Penguin" in the early 1960s that he called in a letter to Farrell's lawyer "a new dance idea that we had almost identical to Hang On Sloopy."  He blames the media for improperly crediting him with writing Farrell's song, even though publicity materials he distributed at the time said he wrote "Hang On Sloopy" and sold the rights "for peanuts."  Just about every article about him at the time also mentioned he wrote the song.
In a November 7, 1993 article in the Orlando Sentinel, when asked whether or not Givens wrote "Sloopy Can Penguin," Dave Scherer responded this way, "God love him, Chuck's my friend, but Chuck sometimes claims for himself things that other people have done."  Scherer added, "Of course, he promoted my group and produced the record, but he didn't write the song."

With Givens' claims completely refuted, it would seem that any confusion regarding the authorship of "Hang On Sloopy" would be settled.  Yet, in a strange twist of fate it is Rick Derringer that has kept Givens' lie alive.

In a 2012 interview with Karen Kernan which can be found on YouTube, Derringer innocently mentions an article published in a St. Louis newspaper that someone had sent him where a successful businessmen claimed to have written the song while in high school and sold the rights for next to nothing.  

It is obvious that this article was written about Givens sometime in the 1980's.  Derringer, not realizing that Givens claim had been disproved years earlier, seems to believe it completely.  He even conflates a few of the details and as a result, the idea that "a high school kid from St. Louis" wrote "Hang On Sloopy" persists to this day.   

At the same time, the myth that the McCoys' hit was somehow based on Dave Scherer and the Castels' b-side never went away either as this 1995 article in the Decatur Herald & Review demonstrates:

--
By the early 1990's, Givens' get-rich empire was starting to come apart as he became the target of multiple lawsuits and investigations.  He died from prostate cancer in 1998.

Dave Scherer passed away in 2008.   His obituary read, "Dave was well known throughout Decatur for the past 45 years for his various bands.   He wrote Sloop Quin Penguin in the early 60's which was sold to the McCoys and renamed Hang On Sloopy."  Proof that Decatur newspapers have never let the truth get in the way of a good story.

So who was Sloopy?  


In Ohio "Hang On Sloopy" is the official rock song of the state and is synonymous with many sporting events there, particularly at Ohio State University.  Therefore, many in Ohio claim the song was named after Dorothy Sloop, a New Orleans jazz pianist from the 1930s that was born in Steubenville, Ohio.  For them, it strengthens the state's connection to the song.

Rick Derringer tells a different story.  In that same 2012 interview where he lends credence to Givens' fabrication, Derringer says "(Bert) Berns told me... that he lived for awhile in Cuba.  Sloopy was a colloquialism, he put it, or a nickname for girls in Cuba.  Guys would just go, 'Sloopy how ya doin?'  He said he took that and wrote "Hang On Sloopy."

While this seems to be the most plausible explanation, we will likely never know as Bert Berns died in 1967.  One thing is for certain.  Sloopy wasn't from Decatur and she didn't dance like a penguin.

This article was originally posted on Dec. 30, 2019.   It was updated and re-posted on Oct. 6, 2020.

Thursday, June 18, 2020

Illinois Welcomes The Kinks! June 20-23, 1965

The Kinks at Kintner Gym Decatur IL June 22, 1965
The Kinks (Mick Avory, Ray Davies, Dave Davies, Peter Quaife) at Kintner Gym, Decatur, Illinois June 22, 1965

The British Invasion was in full swing by June of 1965.  Led by the Beatles, English acts were dominating the U.S. pop charts. The Rolling Stones had begun their first tour of the States earlier in the year and the Kinks were the next in line.  This week, in fact, marks the 55th anniversary of the Kinks’ first American tour.  Somewhat surprisingly, over a quarter of the concerts the group gave on that tour took place in Illinois, mostly downstate.

By the summer of 1965, the Kinks already had three top ten hits in the States and their tour should have been a smash success.  Instead it was marred by a series of small disasters and cancelled dates, exacerbated by poor management and in-fighting among the group.

Thus, their first American tour consisted of just fifteen concerts and four television appearances.  They missed major cities like Baltimore, Boston and Detroit and avoided the South completely.  Yet the band spent four days and nights zig-zagging across Illinois for shows in Peoria, Chicago, Decatur and Springfield.

One of these nights (Decatur) is all but forgotten by chroniclers of the band.  At the same time, a few of these dates would become legendary though not for anything that happened on the stage but instead for the characters the group encountered in downstate Illinois. This includes time spent with a notorious serial killer in Springfield as well as a brush with a “pistol-packing punk driver” in Peoria that Ray Davies would write and sing about for years afterwards.

By the end of the disastrous tour, the Kinks would be banned indefinitely from performing in the United States by the American Federation of Musicians union without explanation.  Ultimately, they would not be allowed to return for another four years making their brief tour in 1965 the only opportunity for American kids to see the group at the height of their early career.

Much has been written about the ill-fated tour, their ban from America and the effect it had on the group’s music. Below we will take a closer look at the four days and nights spent in Illinois.

Sunday June 20, 1965  5 & 9 pm - Exposition Gardens, Peoria

The Kinks headline the show that included several other acts: Paul Petersen (Jeff from the Donna Reed Show), the Hollywood Argyles (billed as Bobby and the Argyles) and the Rivieras.  Also at least one local group, Dave & the Detomics from Morrisonville, performed.  The show was promoted by WSIV radio out of Pekin.

Originally, much of the Midwest portion of the Kinks’ 1965 tour was to be co-headlined with the Moody Blues and included bigger cities such as Indianapolis and Louisville.   At the last minute the Moody Blues were unable to secure the proper working papers and had to cancel, leaving the Kinks to scramble and find new dates and venues.   As a result, the Kinks were a late addition on all of the downstate dates to an already touring package show.

In his book All Day and All Of The Night, Doug Hinman wrote this about the Peoria date, “After two relatively prestigious shows in sophisticated major east-coast cities, they now find themselves deep in the heart of America’s Midwest where attitudes toward long-haired British invaders are far less tolerant.  No one is happy with this 700-capacity booking.  It is not considered a suitable concert venue and the stage is makeshift at best.”  An article in the Decatur Herald a few days after the show mentions that a young fan pulled one of the Kinks off of the stage in Peoria.

The most memorable event of their time spent in Peoria however, at least for Kinks’ front man Ray Davies, had nothing to do with the concert itself.  Instead it was the group's chauffeur that left a lasting impression.  In his 1995 book, X-Ray: The Unauthorized Autobiography, Davies wrote about riding around in a big Ford Thunderbird with a driver that looked like he had stepped out of Jack Kerouac novel, a “punk from your typical b-movie.”  

According to Davies, the driver boasted about having slept with Ann-Margaret as well as having Elvis Presley’s phone number before pulling a gun out of the glove compartment.  Davies writes, “He waved the pistol around menacingly before putting it down on the seat beside him.  Then his mood shifted, he smiled a film-star’s toothy smile and said, ‘Welcome to Illinois, the home of middle America.’”  

Davies would continue to reference this brief encounter at various times throughout his career.  He sang about it in his one-man touring show and it gets mentioned again in his 2003 book Americana.

Monday June 21, 1965  7:30pm - Arie Crown Theater at McCormick Place, Chicago

Originally scheduled with the Moody Blues, the Kinks instead shared the stage with the Thunderbirds, the Blue Knights and the Ventrills.  It was Ray Davies’ 21st birthday.  Several attendees presented him with cakes before the show.  

Early in the Kinks’ performance the venue’s power was mysteriously cut and the show stopped temporarily though they were eventually able to continue.  An article in the Springfield newspaper a few days later mentions that the "British group barely escaped with their instruments when crowds charged the stage at their Chicago concert."  

Later, while still in Chicago, a fan (presumably) broke one of the windows on the group’s tour bus in an attempt to get to the group.  In Rob Jovanovic’s God Save The Kinks, Ray Davies is quoted as saying “When I turned 21, I spent it alone in a Sheraton hotel in Chicago.  I was too scared to go out because we had screaming fans outside and there were all these security men with guns.”

Tuesday June 22, 1965  8 pm - Kintner Gymnasium, Decatur

“WDZ Summer Holiday USA” featured the Kinks, Paul Petersen, the Holloywood Argyles and the Rivieras.   Local groups that performed include Randy & the Ramblers from Springfield and Dave & the Detomics from Morrisonville.  The Holidays of Springfield were also mentioned as possibly performing.

On the 180 mile trip from Chicago to Decatur, the Kinks’ bus, presumably still with a broken window, met strong head winds and the driver was forced to travel at a maximum speed of 35 miles per hour.

Two young women, Norma Phegley and Mary Tempel, stayed up most of the night baking Ray Davies an elaborate birthday cake in the shape of a four-leaf clover which the girls then carried 25 blocks to the show with the hopes of presenting it to the band when they arrived.

Dave Bethard of Dave & The Detomics with
Dave Davies in Decatur, Illinois.

Concertgoers were able to get advance tickets from the radio station WDZ but most lined up for hours at the door.  Ticket prices ranged from $2.00 to $3.50.

The local newspapers reported over 2,000 fans enjoyed the show.   The Decatur Herald mentions that the Kinks felt their reception had been "fantastic." The paper's review of the night's music was simply, "The Kinks' music was fast-paced with lyrics lost in the background of electric guitars while others on the bill sang more sedate selections."

Despite being one of the better documented shows on the tour by the local press, several biographies and chronologies of the band somehow missed this concert all together.  In fact, both Hinman and Jovanovic’s books make the false claim that the band had the day off in Chicago before heading to Springfield.

Wednesday, June 23, 1965  8pm - Illinois State Armory, Springfield

Ready for blast
The Kinks once again share the stage with Paul Petersen, the Hollywood Argyles and the Rivieras.  Local groups such as Dave & The Detomics, Randy & the Ramblers and the Holidays performed as well. 

Dick and Dee Dee were also on the bill but they did not play.   The concert was sponsored by the Springfield Jaycees with the proceeds going to their scholarship fund.

Contrary to some reports, the concert was not a last-minute booking.  Advertisements and other promotional articles appear a full week before the show in local newspapers and as a result the concert was well attended by more than 1,200 people.

The State Journal-Register logged this review
Galen Johnson, a guitar player with the Detomics, while reminiscing about the concerts on the website Garage Hangover reports that Ray Davies carved his name into the marble bathroom wall in the basement of the Armory which the Kinks used as a dressing room.  He adds that it remains there today.

As mentioned earlier, the Springfield concert was sponsored by the local Jaycees which is where the story takes a bizarre turn.   The vice-president of the Jaycees at that time and the man that organized the concert was none other than John Wayne Gacy.  Gacy, who would later be known as the Killer Clown, was convicted and executed in 1994 for the murder of at least 33 boys and young men in the Chicago area in the 1970s.

In 1965 however Gacy was an upstanding citizen, married and living in Springfield where he worked as a shoe salesman.   In fact earlier that year the Jaycees named him "Man of the Year" for his work as a community organizer.  When Springfield's mayor requested the Jaycees come up with some summer entertainment for young people, Gacy organized the concert at the Armory.

It had been assumed that Gacy had little or no contact with the Kinks but all of that changed with a bombshell interview that Kinks' bassist Peter Quaife gave to Johnny Black and Mojo magazine in Septermber 2000.  

In the interview Quaife says, "the local promoter that was looking after us turned out to be a real greaseball.  He was polite enough, but a greaseball nonetheless.  After the gig, he invites us back to his house.  Says he's got some people coming round and he's got some booze, so we say, ok."  

"We get there, and the place has an awful, sickly smell about it.  But he's our promoter, so we stay there, drinking, 'til about 3 am.  When we decide to go he gets upset, says can't a couple of us stay?  By now we were beginning to get a bit antsy about this guy, so we took off to the hotel and that was the last we saw of him."  Later in the interview Quaife adds, "We could have ended up as mementoes bricked up in his walls."

Despite the level of detail that Quiafe provides there is good reason to question his recollection of events.   First and foremost, it is likely that the Kinks left Springfield by bus fairly quickly after the show because they had a concert in Denver the next night.   The 900 mile trip would have left the band little time to hang out at Gacy's house.

Giving Quaife the benefit of the doubt, it is possible that the Kinks arrived in Springfield the night before, after the Decatur show, and met up with Gacy then.  Still, there is no evidence that was the case and it seems unlikely.  Also, it is important to remember that Gacy was married and living a fairly normal life at the time so some of Quaife's details simply don't add up.

Unfortunately, Quaife died on June 23, 2010 (the anniversary of the Springfield show and Gacy encounter) so we may never know.  Ray Davies, in his book Americana, neither confirms nor denies the incident saying, "at Peter Quaife's instigation, we almost went to the house of infamous clown-serial killer Wayne Gacy."

Though the Kinks left Illinois after just four days, trouble seemed to follow them for the rest of the tour.  Elsewhere in his book, Davies writes, "The 1965 tour was filled with bad energy."  Later adding, "America just didn't understand the Kinks the first time around.  We got the impression that we unknowingly offended and upset a lot of people.  I'm not sure with whom or with what but there was something strange going down on that tour."

The Kinks would not return to Illinois until Halloween night 1969 when they played a show with The Who at the Kinetic Playground in Chicago.  After the show, Kinks' guitarist Dave Davies seriously injured his hand when he and Keith Moon, the drummer for The Who, attempted to throw a television out of the penthouse window at the Holiday Inn. 

By early 1970, the Kinks were set to return to downstate Illinois as they were one of the first headlining acts to be named on the bill of the Kickapoo Creek outdoor rock concert set to happen on Memorial Day weekend near Heyworth, Illinois.  Perhaps memories of  their 1965 encounters convinced them against it because they were soon removed from the lineup.   Instead the group played two nights in Chicago that weekend.

Were you there?  Did you see the Kinks in Illinois in 1965?  If so, I'd love to hear about it.  Leave a comment below or contact me directly at: downstatesounds@gmail.com

Thursday, January 2, 2020

WESN Show #37 - Jan. 2, 2020

Operator, Operator (Put Me Thru To Decatur)


Sounds of Macon & Christian County in the 1960's
ARTISTTRACKLABELYEARTOWN / CITY
Bare WireGroovin' Is EasyStereo Village1969Decatur ?
The CasualsIt's Gonna Work Out RightNashville1964Decatur
The Chosen FewWatch Where You're GoingFlame1966Decatur
Meat DeptThis Weeks ChildrenPolar Bear1967Decatur
Joe MeriweatherThere's Nothin' I Wouldn't DoRiot-Chous196?Decatur
Fugitive Five(I Ain't Gonna Give Up) My Way Of LifeCell1966Decatur
Dave & The DetomicsWhy Can't IVan1966Morrisonville
Linda BurkeDarling, It's So WonderfulSoft1965Decatur
Dave Scherer & The CastelsEverybody's Doin' ItLoki1965Decatur
Oglethorp and OthelowI'll Still Love YouVan1966Pana
Midwest DelegationMr. SoulGolden Voice1970Decatur
Willie Guitar TaylorFunky Popcorn- no label -1969Decatur
Eugene & The FugitivesI Asked HerCherry1965Decatur
Preston Jackson & The Rhythm AcesThree Quarter Stomp Pt. 1IT1963Decatur
The ChessmenI Just Lost The Girl I LoveRiot-Chous1964Decatur
The Chosen FewLemonade SodaFlame1966Decatur
Oglethorp and OthelowPlease Don't Go AwayVan1966Pana


Extras

Decatur - 1969 / 1970
Oglethorp and Othelow
   
In memory of Greg Carlock aka Othelow (pictured above on the right) who passed away just a few days before this week's show.   For more info on Ogelthorp & Othelow see
https://garagehangover.com/oglethorp-and-othelow/

Saturday, January 5, 2019

The Chessmen, Joe Meriweather & Riot-Chous Records (Decatur)

Back row: Casey Green, Mike Milo, Larry Songer, Terry Hudson, Hosea Williams; Kneeling in front: Rick Grammer, Mike Ritchie
The Chessmen were an R&B / soul group from Decatur, Illinois that was active from 1962 to 1966.  During this time the group performed regularly throughout the state and released two singles on their own Riot-Chous Records ( 3205 Meadow Lane, Decatur, Ill. ) :
  • "Bird Train" / "She's Mine"  [1963]
 
  • "Lucille" / "I Just Lost The Girl I Love" [1964]
 

Band members of the group included Hosea Williams (vocals), Mike Ritchie (guitar), Rick Grammer (bass), Mike Milo (sax), Terry Hudson (sax), Paul McNalley (sax) and Larry Songer (drums).  Additional vocalists in the group were Casey Green, Ernie Jennings and Joe Meriweather.

Both Chessmen singles were recorded at Technisonic Studios in St. Louis, Missouri.

The only other known release on the Riot-Chous label was a single by Joe Meriweather.  It is likely that the Chessmen were the backing band on the single.   
  • "There's Nothin' I Wouldn't Do" / "Sweet Lorraine"

Prior to this release Meriweather sang and recorded with Preston Jackson & the Rhythm Aces.  The group released singles on Vee-Jay and Hit Records (reissued on Hermitage). 

Here is a rare TV performance circa 1966 of Joe Meriweather and the Chessmen on Marty's Dance Party (a live teen dance show hosted by Marty Roberts which aired on WTVP - Decatur and WICS - Springfield):

In 1966, Meriweather along with several members of the Chessmen merged with members of the Casuals (another Decatur group) to form the Reel Blues.  The Reel Blues never released any records but several members did release a single as The Chosen Few in 1966.
 

The Reel Blues: Joe Meriweather, Rick Grammer, on top: Mike Ritchie & Larry Songer,
Ted Dorman, Jim Gleeson, Mike Milo and Paul McNalley (1968)

Music by the Chessmen and Joe Meriweather will be featured on the January 10th episode of the Downstate Sounds radio show.